The Bitch is Back

I’ve been away from this site / blog for a while, but I intend to change that. I should probably explain why I’ve been gone, though; not that it really matters. Absent is absent, right?

Anyway, the reason for my absence is – quite simply – my health, or lack thereof. Since last, I’ve been diagnosed with Fibromyalgia, and also started on medication for my other ailments, namely Bipolar Disorder.

[Insert lame pun about tortured artist here.]

The fibromyalgia causes chronic pain, and chronic fatigue; I’m coping with it – but on occasion I have bad days where I’m pretty much confined to my bed due to severe pain and fatigue. There’s not a whole lot I can do about it, aside from pain management and rest. Creative endeavors have therefore taken a back seat as of late, as I’ve barely had the energy to get through doctor’s appointments and therapy sessions the past couple of years.

The Bipolar Disorder has been acting up, and I recently elected to start on medication (for the first time since diagnosed in 2010) for it. It has been great so far: I sleep better, I feel better, I have a bit more energy, and I’m a bit less lethargic as a result.

So, why this blog post about physical and mental deteriorating health? Well – I’ve been tinkering with a project, technically two, about my health issues for a while now, and as I – hopefully – blog more about said project, it only makes sense that you, the reader, know the reasons behind it.

The photo above is from a test-shoot for the project, which as of right now is still untitled. The project itself consists of a photo book and a short film about living with and dealing with physical and mental “invisible illness” – what they are, and how they affect and effect me and my day-to-day life.

I’m very excited to finally have a smidge of creativity again after months, years even, of draught in that department.

The Bitch is back, y’all.

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Heiinghund – Draugkvad

I’ve done another commission for the band Heiinghund for their upcoming release Draugkvad. This time around I opted for my primary art medium – photography –  and delivered 27 images in total. 11 of the images were selected by the band to be voted on by their fanbase. 4 of the 11 images will appear in the final album booklet.

The album drops on Friday the 13th in April.


This also means I am now able to call myself an artist – for real.  

Hvis Lyset Tar Oss (video)

 

This is the video I used in the application to Høstutstillingen 2017. The music is by Heiinghund, and used with the artist’s permission.

Now all I can do is wait, and hope the panel of judges like my work.

Høstutstillingen 2017

Here in Norway, we have a thing called Høstutstillingen – an open call to all artists (art education not needed) to apply for an exhibition slot. In a fit of insanity, I decided to apply for said exhibition slot with my Hvis Lyset Tar Oss project, after it was suggested by a friend.

I whipped together a quick vlog of the editing of the extended cut. All of the videoclips in the vlog are filmed with my iPhone 6S+ & the 8mm app. I quite like the effect of that app.

 

Commissions – For Exposure

This is a sore subject for many artists, and The Oatmeal summed up the essence of it all.

theOatmeal_exposure_big.png

(Click the picture!)

The other day I was asked to do a commissioned illustration for a friend. The piece is for an album cover for one of his music projects. He was up-front about there not being much in way of money as payment for this (as it is a bit of a niche-album with a fairly small audience, myself included).

I am – basically – doing this for exposure. And I’m fine with that. Why? Well…

As of right now, about 10 people on the planet are aware of my art. I’m not exposed – at all. I have no exposure to refer people to, other than this website, my facebook page, my instagram and my youtube-channel. I am working on changing that fact, but as it stands – right now – I need all the exposure I can get. If I am ever to sell a piece of art, I need people to be aware of my existence as an artist: I need exposure.

Let me be absolutely crystal clear: My friend did not assume I would do this for free / for exposure – at all.

I did – however – suggest a sort of deal for my commission work. A commission for commission, if you will: I asked my friend to make a snippet of music I could use for my YouTube-videos in exchange for me creating album art. And I made sure to say it would be “as payment” for the commission. My art will get exposure, and his music project will get exposure, as he will be credited wherever and whenever I use the music.

So – why is this whole for exposure business such a sore subject for artists? If you ask an artist – who makes a living through their art – to do something, that artist will charge you for it. It’s their livelihood – it’s what puts food on their table. Be prepared to pay for art, that’s all I’m saying.

The artist can choose to do something for free / for exposure, but it’s the artist’s call – not yours.

 

World-Building & Twitter

I decided that, since I use Instagram as a way to expose my Art Photography, I could use Twitter as a means to expose my writing – so I made a twitter account for vinterheim. You can find me here @vinterheim

With that out of the way, let’s talk about world-building. It is something I have never really done before, and therefore also something I find myself struggling with. Nevertheless, it’s something that needs to be done in order for me to have complete control over the landscape and scenes in my novel. So – I build my world as best I can.

I had asked people to read the short 1400-or-so word text I had written the other day. And I received loads of feedback! Most of which were along the lines of I wish this was longer, I wanted to read more / this, that and the other thing needed more explanation. So I’ve done the sensible thing, and started to flesh out the storyline (a lot). This is partly also the reason I’m world-building my butt off. My intention is to write a novel that’s suitable for kids in the 8-10 year old age-bracket, but also a novel that could be read by older kids – even adults – and enjoyed equally. Is it a lofty ambition? Hell yes. I expect I will be revising and re-writing this beast several times before even considering attempting to get it published.

But hey, if nothing else – at least I’ll end up with something I can work with, right?

Hvis Lyset Tar Oss

The following is an on-going project inspired by blackmetal.

 

 

© vinterheim 2016